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Synth-pop on the surface, but with more going on below, Talk Talk’s debut album, ‘The Party’s Over’, was just the beginning for Mark Hollis.

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The ultimate Blaxploitation soundtrack, Curtis Mayfield’s ‘Super Fly’ album transcends the movie it was written for.

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Chant No.1 (I Don’t Need This Pressure On) confounded critics, its new sound proving Spandau Ballet were outgrowing the New Romantic scene.

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The album that nearly finished them, ‘By The Way’ offered new levels of sophistication for Red Hot Chili Peppers.

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Loud, dirty and smeared with attitude, The Stooges’ ‘Fun House’ album turned off contemporary critics, but its influence on rock is immense.

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De-amplified, but not de-fanged, Whitesnake’s ‘Unplugged’-style ‘Starkers In Tokyo’ album still has plenty of bite.

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Whether the States is united or divided, these best songs about America celebrate – and sometimes critique – The Land Of The Free.

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By the mid-2000s, Muse were one of the biggest bands in the UK. The ‘Black Holes And Revelations’ album sent them into the stratosphere.

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Turning to the man behind Madonna’s ‘Confessions On A Dance Floor’, Kylie Minogue created her most cohesive album yet in ‘Aphrodite’.

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Marrying evocative music with a nuanced lyric, That Isn’t Funny Anymore became one of The Smiths’ most beguiling songs.

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