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After ‘The Soft Parade’’s strings and horns, The Doors’ fifth album, ‘Morrison Hotel’, was a return to lean, powerful blues rock.

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With her ‘Both Sides Now’ album of 2000, Joni Mitchell looked to songbooks of the past in order to demonstrate her interpretative prowess.

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The most demanding performance of her career, Madonna’s Super Bowl halftime show proved once again why she will always be the “Queen Of Pop”.

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Filled with sharp pop-punk anthems, Green Day’s breakthrough album, ‘Dookie’, struck a chord with disaffected youth in the post-grunge world.

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‘You have to go through it to understand it,’ Tori Amos said of ‘Under The Pink’, an album that stays in the mind long after it’s over.

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The stalwart rockers’ profile-raising sixth album, ‘Slide It In’ did the trick for Whitesnake in the US – with help from a timely remix.

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For their follow-up to Le Freak, Chic’s dancefloor classic I Want Your Love aimed cupid's arrow straight at the heart of the disco scene.

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Defining the ‘New Acoustic Movement’, Starsailor’s debut album, ‘Love Is Here’, is ‘the start of our journey’ says frontman James Walsh.

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Ian Curtis was almost banned from the venue, and their support act started a fight, but Joy Division’s live debut birthed the post-punk era.

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Aretha Franklin’s ‘Young, Gifted And Black’ album delivered on all fronts: she really was everything its title claimed – and more.

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